March 2008

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这么中国的一部电影,不知道除了用中文,还能用什么语言来评说。

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前段日子刚看了“断背山“,当时觉得情节不是很顺畅。 可是之后的几天,我总是不能忘记电影里某些情节和场景:比如当Jack 站在篝火旁边,双手插在裤兜里,低着头昏昏欲睡,牛仔帽遮住了脸,只露出英俊的下巴和双唇。Ennis从后面环住他的腰,头靠在他的肩上,两个人轻轻的摇晃着,哼着小曲。只有火焰在缓缓的升腾,寂寞的层层山脉中仿佛只剩下他们两个人。这样的镜头是如同蒙娜丽莎的微笑,让人回味无穷,上瘾的。

色戒同样创造了这样的经典。当她坐到电车前面,将头伸出车窗,仰望夜空,一个雨点滴打到她的脸颊,如同破碎的水晶发散,她深吸一口气,沉浸在自己的喜悦和忧愁里。谁的人生当中没有这样的时刻?

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一眼看的出的精彩来自于色戒的真实。她将你带到半个多世纪前,那个被叫做“大上海”的梦境中。当那个场景镜头重现静安寺十字路口,当香港岛60多年前的俯瞰夜景出现在屏幕上,你是否有时光倒流的幻觉?一时间,我突然觉到三年前的深夜,静安寺外,凉凉的微风中有啤酒的味道;想起去年夏天,在30层的办公室里看维多利亚港湾的钢筋丛林;许留山,云南米线。那个时代的旗袍女人已经被过度开发了,可是难得普通学生的蓝色长袍,金发的外国妓女和日本区的混杂街景被如此真实的重现。

李安导演让所有电影的元素相得益彰:表演,服装,摄像,音乐,灯光,剪辑,甚至空气的颜色:上海的灰蒙蒙天空,香港海边清脆的空气。色戒在李安的电影当中(或者所有电影当中)有两点出众:从来没有电影如此如实的展现杀人的过程,从来没有电影如此真实的反映房事。想想看,其他电影里面这两件事都是怎么被刻画的。

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李安在访谈中说要展现自己最隐私的一面是很有挑战性的。他还说色戒不是要求有那样的戏份,而是因为先想要尝试那样的戏,才来拍色戒。无色,何来色戒?

怎样理解这部电影?也许你说“假戏真做真做假,”其实人生何谈真假?接连看了两遍电影,又重看张爱玲的原著,几天昏昏沉沉,脑子里尽是不同的画面,对话,眼神,如同梦魇,拔不出来。那只不过是个故事,我告诉自己。可那小说不也是基于真人真事吗?张爱玲的故事几分是真, 几分是假?色戒呢?我窗外的雨可是真的?

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I have never read a book like this: finishing up the 500 pages in two days. I did nothing else during this weekend but fixated on Sandy Weill's extraordinary journey in his 50-years career.

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I vaguely remembered from Roger Lowenstein's The Fall of Genius mentioning this character who struck maga deals with the Traveler's Group. Lowenstein did not paint a nice picture of Weill. I cannot recall the exact word, but I walked away with the impression that this person was deceitful (by underwriting a deal for a fraudulent wheat futures company) and was good at manipulating people.

I was not sure Weill is that character until I reached to his account of the futures company, and his joining American Express and subsequent leave. At that point, I began relating past readings to this book. Because of the negative impression from that previous book, I found it hard to take Weill's account of events at face value. Yet, the book drew me like a magnet and I could not help marveling (and admiring) Weill's unbelievable journal in deal-making.

Sandy Weill is the acquisition King. He excels at the ant-eats-elephant deals that allow companies to hop up the food-chain in giant strides. He utilized this strategy to rise from an unknown small firm to the absolute top of the American corpratocracy – two times over. That was beyond luck.

There were many takeaways from the book. The most memorable was the boardroom drama. Page 138 was one great example. Weill's account provided possibly a truthful picture on how the biggest companies were run, how power struggle took place on the executives level and how information was channeled to the public.

The book also provided a peek into the lifestyle of big public companies' executives: the world of resorts, golf tournaments, private jets and secretive dinner meetings.

As the King of acquisitions, Weill had plenty of advice for business people. At the end, he summarized three key criteria, two of which any successful merger has to meet. His execution excellence was inspiring too.

Published in 2006, the book came just before the credit bubble burst last year. Citigroup took the hardest hit as Weill's successor, Chuck Prince, has steered Citigroup deep into the complex structured securities business. I wonder what would Weill think of this outcome? Weill repeatedly claimed that he would not get into businesses that could not be explained in "plain English." His order to exist Solomon Brother's complicated arbitrage positions in late 1990s suggests would he had remained in Citigroup several years longer, the company might have entered a different fate today.

Well, as many coincident shaped Sandy Weill's fate, the same goes with Citigroup. But after a brief four years, the Citigroup as Weill left it is no longer recognizable.

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